Framing the Unnecessary.

Temporarily adding the unnecessary to the entropy wall.

It is clearly a large painting, more than half the size of that sculpture.

‘The Unnecessarily Erotic Amoebas of Port Elgin’, watercolour, 21″ X 30″, framed its 28″ X 36″, $25,000.00 US

One of my favourite frame jobs. This one is 28″ X 36″ overall. I made the wooden part with ebony, more for its weight than anything, I painted it black anyway. The inner frame is of gold filled copper bars, not plated, I think there is 6 or 7 ounces of gold that you could recover, but its a secret thing to hang on your wall you see, who would know why you paid $25,000.00 US for this unknown artists work.

The Invisible Viruses of the Subconscious.

‘The semitransparent Ostriches of Enceledus’, 5″ X 7″, pen on paper. It could be either, what were you thinking the last time you made a drawing of something? My favourite work is when I’m not thinking, which only happens alone, no cameras recording anything, then it would not be meditation. And for many artists that is the case. Preparing and making content for a page in order to attract interest to sell the work disrupts the work itself. Perhaps not so much for the younger generation which seems permanently on camera. For myself, I would have to set up cameras running all the time and learn how to ignore the fact they are there. I have tried over the many years of this blog, but its still the same effect. When I start a drawing or painting, I am not thinking about you, or anyone or anything else. When a camera is set up to record, that’s all I can think of, the cameras there, how should I sit or hold the brush for you to see what’s happening, so I am no longer creating the art, I’m creating a version of it for others to see. They don’t happen with the purpose of making money, however they are for sale, and I do need money to live and create more oddities.

How to draw a picture.

How to draw a picture.
I seem to have difficulty thinking about the process of recording work as it happens. I am rarely thinking about the broadcast nature of it all now. For my website to work properly, lots of traffic, I should be posting regularly. It does work to a degree, but not really for selling art at the price it should be. For that, how they happen is private.

The Entropy Wall

The ever mutating studio wall. I’ve felt for a while now that the public does not get a good idea of the artwork from a digital or computer screen of some kind. That wall is not electric.

The painting is called ‘The Last Supper’, 1996, you can probably see why. That’s Judas hanging in the corner, I had to find a way to fit that in with the rest of the nonsense, there is a lot of it in this painting. There is an H- bomb dropping from the sky and the writing on the wall says…

And the Lord spake unto his disciples,

LOOK AT THIS MESS,

and verily he said, I can’t leave you guys alone for one minute,

and then he let them have it, saying unto them,

‘This is it! This is the last time I do anything for you lot of ….

Its been seen in public twice now, with a friendly audience only, a pop up type show in the anthropology lunch room, maybe it was independent studies. And a little out of the way cafe where I had to carry it on the bus to deliver it, I was so determined to poke somebody in the eye with it. Its quite heavy, 48″ X 32″ X 0.5″ plywood and 20 lbs or so of paint.

Tri Polar

Tearing oneself apart from the inside is a difficult concept to portray visually.

This was the third painting I made in that. I was feeling better physically, enough so to stretch a large canvas. In the under painting of acrylic gesso mixed with plaster and semen, I painted an equation, with my blood. In essence it describes the population of the earth at the time I painted this, divided by the claimed wealth of all nations, which then equals the amount you are entitled to. No questions, no legal defence allowed. You are all way over budget. Time to stop. I followed the equation with an acrylic under painting of a nuclear explosion. Which was followed by the self portrait ripping my face off.

Oil on canvas, 42" X 42". 2005.
‘Tri-Polar’, 42″ X 42″, oil on canvas.

I called it tri-polar because I did not agree with my psychiatrist. All you have is on or off, I have an in between which allows me to divert the rage in us all into art. Do you? I think that is how art happens.

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Me in particular 🙂

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Gravity well.

Plaster casts of Hungry 1.
The weight of Hunger, digital manipulation.

I believe its a fact of physics, the more hungry people there are, the more people will be pulled into that grief. Like a gravity well, a black hole of hunger.

Hungry

It is a constant theme in my artwork.

The plaster casts were intended for the kitchen counter back splash for the ‘Hungry Kitchen Exhibit’.

The Gravity of Hunger, digital image.

M-16

I have repainted this image a few times, 5 I think. I have one here in my studio. I will probably paint it again.

‘M-16’, acrylic on paper. 2014. I usually get carried away in my head when I like the image. I can use it then as an icon to represent something else. In this case war. I wonder if its related to the repetitive thinking I have, often. Some thank me for recognizing their value defending us, others see it as something far more troubling. The militarization of everything.

Haunted by Orwell.

This is a digital version I have played with. I would like to get more 3d into the image. When I make this one again I will use plaster instead of paint. Build it onto a sheet of plywood.

Art supplies

Thank you for your help.

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The pencil and the psychiatrist.

An unquiet mind. A long time ago, decades before I was diagnosed as bipolar ( the name seems to shift with the movements of psychiatry) I discovered drawing without thinking helped with the agitation that is ongoing with bipolar disorder. I would liken it to meditation, which I have tried but I prefer the physical act of drawing to contribute to the universe. Not quite doodling though, these usually take a lot of time, my body can be physically exhausted, but my mind will not shut up. For days this can go on, seemingly endless. When I was young, I could put it to use working, but now its just exhausting. The digital work is useful then, I can make an eBook from all the work already in hand. And having an actual hardcover of these works is even better. So much of my work, even now, is very large. Too large for most normal living room walls.

Art fuel,

Coffee and lots of it. Thank you for visiting.

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Metropolicide: Murder of the City.

Metropolicide: Murder of the city.

I made this slideshow type video for a show I had in 2012. There were more paintings than wall space, and the gallery had kindly offered a 48″ television with a USB port to carry a video on a loop. I made the soundtrack with garage band on the 2009 iMac I had. It worked well and I was able to show more of this series of paintings.

The idea came from watching what was going on in the middle eastern countries at that time, 2011. The first pieces are from Syria, and an echo from the past as the same people are doing the bombing on the Ukraine today.

‘The Sky Was Blue’, 18″ X 24″, acrylic on canvas.
Homs I
Homs VIII

The idea still seems relevant, considering what we are all seeing in Eurasia. It is murder on an enormous scale.

Metropolicide IX
‘Fire’, 8″ X 12″, mixed media on watercolour paper.
Metropolicide XX

The idea continues.