My second book

This is the cover I designed for the book. I made these through Amazon's books and Kindle.

This link will take you to the e-book on Amazon.

A fellow painter of large pieces said to me I should make a record of some kind, a gathering of little images and ideas created from the large ones. Maybe stitched or glued together.

As I have many large paintings, and a great deal of other work, the idea of having something small I could hold in my hand was very enticing. As much for others as it was for me to see what I got up to from my death bed.

Bedlam : The Art of Graham Houston

Click the cover for a preview of the book.

 From famine and war to murder and suicide I have always sought ways which the visual artist could attract the viewer, hold their attention for long enough to see what’s in front of them and prompt a discussion. It’s the temptation of brightly coloured imagery used to create horrifying ideas, human ideas.

Thanks for the help in making more art. Donate whatever you like, for art supplies or coffee.

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Below is the link to amazon for the hardcover.

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Framing the Unnecessary.

Temporarily adding the unnecessary to the entropy wall.

It is clearly a large painting, more than half the size of that sculpture.

‘The Unnecessarily Erotic Amoebas of Port Elgin’, watercolour, 21″ X 30″, framed its 28″ X 36″, $25,000.00 US

One of my favourite frame jobs. This one is 28″ X 36″ overall. I made the wooden part with ebony, more for its weight than anything, I painted it black anyway. The inner frame is of gold filled copper bars, not plated, I think there is 6 or 7 ounces of gold that you could recover, but its a secret thing to hang on your wall you see, who would know why you paid $25,000.00 US for this unknown artists work.

Gravity well.

Plaster casts of Hungry 1.
The weight of Hunger, digital manipulation.

I believe its a fact of physics, the more hungry people there are, the more people will be pulled into that grief. Like a gravity well, a black hole of hunger.

Hungry

It is a constant theme in my artwork.

The plaster casts were intended for the kitchen counter back splash for the ‘Hungry Kitchen Exhibit’.

The Gravity of Hunger, digital image.

Hunger in my studio.

I am sorry if you have seen this repeatedly on this page. But I feel compelled to continue posting these images as it keeps happening, continues to happen. I can’t paint them anymore but I can carve them in stone. And I hope to eventually make a bronze casting to use as a pedestal for a beautiful oval crystal dining table with silver Hungry cutlery and china plates with a Hungry pattern, and serve bread and water.

‘Hunger II’, 36″ X 60″, oil on canvas, 1993.

‘Hungry’, 1.25″ X 2.25″ X .3″, soapstone, 2011.

‘Hungry’, 1.25″ X 2.2″ X 0.3″, soapstone, 2012.