Self Portrait

‘Three of Me’, 24″ 32′, oil on panel. 1996.

I had a small mirror to look at when I was working on this series of paintings. All the characters in Domesticated are using some form of my face, including the female characters when they show up. They are not intended to be photographs, they are impressions.

I was in a fury through most of this time as I had recently lost the lease on my gallery Bedlam. It was a bank desicion. The complexity of the Neurotica pieces seemed to intimidate people. A large field of skin tones is upsetting, its supposed to be, the work isn’t intended to decorate your bathroom. Cartoons are very popular and that was the basis of the style. A simple line drawing with the blood coloured paint mix, either with a knife or a brush. The colours filled in after the lines were in. Then the colour of the uniform I used to capture the psyche of the viewer just with colour. They all wear uniforms, just like you do without realizing.

This was actually ten years prior to the diagnosis of bi-polar disorder, or whatever they are calling it now so as not to upset anyone, because that’s more important. I thought there was something wrong with me for most of my life, partly from people saying ‘there’s something wrong with you Graham’. The sadness and anger were there at the same time, all the time now, an emotional roller coaster running at high speed. A speedball of emotions, chemicals dumped into my blood by my own brain, thanks brain, endorphines and adrenaline, speed and morphine. At times no sleep for days. Which is great for creating the physical works, but there is always a crash. And sleep for a day, then do it all over again.

I’m sure now my brain was cooking itself. I was addicted to my brains behaviour. The psychologist actually said this in session, I am addicted to myself. At this point there were no other drugs, or alcohol for years. It was enlightening and exhilirating to feel that mania without anything. The paintings had to happen, they kept me from putting all the energy I had into bank robbery or something like murder. Painting keeps me out of jail.

And twenty years later it was pretty much the only conclusion the psychiatrists and psychologists could muster. I’m not really an artist. I’m an aggresive mentally ill patient of theirs, who paints pictures to keep from killing all of you. I had no choice but to visit with them, I was on yet another death bed, the crashes can be deadly too. I needed them to keep me alive, so I can paint. That is what I always said about my work, I’m a painter of things, the word artist is yours to use as you see fit.

Domesticated VI

‘Domesticated VI’, 24″ X 32″, oil on panel, 1996.

This one does have a title its ‘do as I say!’,

I was using a palette knife and a brush for these. I would mix new dried blood colour for doing each line drawing on the blank panel. I had a little mirror hanging on the same wall, and would usually start with a sketch right on the wall. It was covered with little red doodles of my face and attempted body distortions.

I am trying to make the image with as few brushstrokes as possible.

Bedlam : The Art of Graham Houston

Click the cover for a preview of the book.

 From famine and war to murder and suicide I have always sought ways which the visual artist could attract the viewer, hold their attention for long enough to see what’s in front of them and prompt a discussion. It’s the temptation of brightly coloured imagery used to create horrifying ideas, human ideas.

Thanks for the help in making more art. Donate whatever you like, for art supplies or coffee.

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Domesticated

‘Domesticated II’, 24″ X 32″, oil on panel, 1996.

There are quite a few painting in this style. I have 32 of them close by or hanging up. Possibly fugurative expressionism, I’m not fond of style labels, it leads far too often to people thinking its connected to or should be compared to a different artist, it is not in someone else’s style, it might be labeled a style, that’s all. The style I developed here was to strip down the elaborate brushwork from the neurotica paintings. A simplification of the image, so the idea that you have been domesticated, is perhaps more easily understood. What are we like when we are put in the same confined spaces as the animals we eat. Soft and mushy bones, fatty muscles, psychological breakdown, extreme violence. Homo domesticus.

The Entropy Wall

The ever mutating studio wall. I’ve felt for a while now that the public does not get a good idea of the artwork from a digital or computer screen of some kind. That wall is not electric.

The painting is called ‘The Last Supper’, 1996, you can probably see why. That’s Judas hanging in the corner, I had to find a way to fit that in with the rest of the nonsense, there is a lot of it in this painting. There is an H- bomb dropping from the sky and the writing on the wall says…

And the Lord spake unto his disciples,

LOOK AT THIS MESS,

and verily he said, I can’t leave you guys alone for one minute,

and then he let them have it, saying unto them,

‘This is it! This is the last time I do anything for you lot of ….

Its been seen in public twice now, with a friendly audience only, a pop up type show in the anthropology lunch room, maybe it was independent studies. And a little out of the way cafe where I had to carry it on the bus to deliver it, I was so determined to poke somebody in the eye with it. Its quite heavy, 48″ X 32″ X 0.5″ plywood and 20 lbs or so of paint.