About graphicanthropology

Image maker

Framing the Unnecessary.

Temporarily adding the unnecessary to the entropy wall.

It is clearly a large painting, more than half the size of that sculpture.

‘The Unnecessarily Erotic Amoebas of Port Elgin’, watercolour, 21″ X 30″, framed its 28″ X 36″, $25,000.00 US

One of my favourite frame jobs. This one is 28″ X 36″ overall. I made the wooden part with ebony, more for its weight than anything, I painted it black anyway. The inner frame is of gold filled copper bars, not plated, I think there is 6 or 7 ounces of gold that you could recover, but its a secret thing to hang on your wall you see, who would know why you paid $25,000.00 US for this unknown artists work.

The Invisible Viruses of the Subconscious.

‘The semitransparent Ostriches of Enceledus’, 5″ X 7″, pen on paper. It could be either, what were you thinking the last time you made a drawing of something? My favourite work is when I’m not thinking, which only happens alone, no cameras recording anything, then it would not be meditation. And for many artists that is the case. Preparing and making content for a page in order to attract interest to sell the work disrupts the work itself. Perhaps not so much for the younger generation which seems permanently on camera. For myself, I would have to set up cameras running all the time and learn how to ignore the fact they are there. I have tried over the many years of this blog, but its still the same effect. When I start a drawing or painting, I am not thinking about you, or anyone or anything else. When a camera is set up to record, that’s all I can think of, the cameras there, how should I sit or hold the brush for you to see what’s happening, so I am no longer creating the art, I’m creating a version of it for others to see. They don’t happen with the purpose of making money, however they are for sale, and I do need money to live and create more oddities.

How to draw a picture.

How to draw a picture.
I seem to have difficulty thinking about the process of recording work as it happens. I am rarely thinking about the broadcast nature of it all now. For my website to work properly, lots of traffic, I should be posting regularly. It does work to a degree, but not really for selling art at the price it should be. For that, how they happen is private.

The Entropy Wall

The ever mutating studio wall. I’ve felt for a while now that the public does not get a good idea of the artwork from a digital or computer screen of some kind. That wall is not electric.

The painting is called ‘The Last Supper’, 1996, you can probably see why. That’s Judas hanging in the corner, I had to find a way to fit that in with the rest of the nonsense, there is a lot of it in this painting. There is an H- bomb dropping from the sky and the writing on the wall says…

And the Lord spake unto his disciples,

LOOK AT THIS MESS,

and verily he said, I can’t leave you guys alone for one minute,

and then he let them have it, saying unto them,

‘This is it! This is the last time I do anything for you lot of ….

Its been seen in public twice now, with a friendly audience only, a pop up type show in the anthropology lunch room, maybe it was independent studies. And a little out of the way cafe where I had to carry it on the bus to deliver it, I was so determined to poke somebody in the eye with it. Its quite heavy, 48″ X 32″ X 0.5″ plywood and 20 lbs or so of paint.

Art in a park.

Once I had recovered enough breath to walk further afield, sitting around the trees was still the best feeling. Maybe there is more oxygen in their vicinity. I never really learned to draw or sketch formally. I had a few oil painting lessons from a local learning centre when I was a teenager. This is all entirely self taught. When I look at a blank piece of paper or canvas or wood, my intention is to create a finished piece, not a sketch. However I have made oil paintings from these drawings.

‘A tree beside the dam in the park.’, 8″ X 10″, pencil on paper.